Friday
What QUE-
Monday
Nukie
"If you like hearing words that aren't even real words screamed at the highest decibels possible for fifteen minutes straight, Nukie is your bag."
Did Mike and I show you Nukie while it was still "alive"? Unbelievably funny.
And,
But maybe there is hope after all: http://www.commondreams.org/archive/2008/02/15/7241/
The previous
Who's running this show anyway?
So what time are we going to India? I hope it's 10 a.m tomorrow morning. Seriously.
At long last,
When/how did things get like this? How quickly the money and the individualism came between us all. And in such a sinister way, made possible by our self-imposed blinders. Habitually two steps back and one step sideways.
Get out the lumber, because
Friday
(Genesis of (Parenthesis))
Damnit, that happens every time!
(and takes forfuckingever)
Dr. Andrew Newberg, a neuroscientist, suggests that this reaction to love is so similar to that of drugs because without love, humanity would die out.
You will find an excerpt from pages 3,573-3,574, here:
“…as I recall, this was a sharp period of my childhood—a mass of time stretched and flattened over slabs of stone carved with delicate hands to resemble the Rosetta. Time punctuated by sharp equilibria of loving and hating my nanny, Edith, whose face I recall was chartreuse and whose clothes were melon most times. This was a time of first loving*. Although, Love [sic] didn’t stand alone during these teething years; ‘Twas accompanied by strong sensations of Godlessness and self-loathing. On a night when the rain poured heavily onto my bedroom’s skylight and Edith read aloud the explicit parts of The Previously Uncollected Poems of Julianna M. Chardonnay, I first felt the inkling of a feeling of a sensation of desire. A hole seemed to have formed in my stomach and bile was spilling onto the bed and then onto the carpet. Marbles were being poured down my spine and through my hands. My heart was pins and needles. I felt a chill long and slow. Unbeknownst to Edith, I had stopped listening to the words of Ms. Chardonnay and had begun a sturdy focus on the movement of Edith’s lips: the curl of the muscle as her lower lip flicked off her strong buckteeth on “Fuck” or “Figure skating” was exquisite and magnetic. The corners of her mouth were staged with spittle—“Oh! Beautiful Spittle!” my mind roared. There was suddenly music playing that was so good that I didn’t even know I was listening to it. At that moment, I could have repainted Klimt’s The Kiss from memory; could have rewritten every song on Bat out of Hell and Bat out of Hell II: Back into Hell; I could have cooked a steak on the warmth of my forehead. That night, after Edith finished her reading and deserted me for her own fantasies, I sat up in bed for what seemed an eternity. Sitting there, I clicked the light by my bed on and then off. On and off. On and off again. And that’s how it’s been ever since. I’m still sitting right there.
[*Editor: we shall note that in all attempts to rectify Mr. Shalvey’s inane usage of the terms “love,” “loving,” “loveless,” we contacted him on four separate occasions over a span of eighteen months but were each time answered with a telegram which read variations of the following: “Edit duly noted and considered, then promptly rejected STOP Go fuck yourself STOP.” With this, we left his incorrect use of the terminology in the book. We urge you to consider or reconsider the recent (1952) interview given to the Providence Journal wherein he said: “Love? Well, damn it if that isn’t the stupidest word in the whole of languages. Dumber words have never existed; never, you bastard. I can’t believe you made me talk about that. I want to fight you right now. Sit down. No, you sit down. Get you hands off me. You smell like onions. Hey, that fucking hurts. Take this, you bastard. This interview is over. And your mother is a cu—”]
(For more on the Rosetta Stone, The British Museum, my “Decade of Ill Translation” [as it was coined by Time (1942) and, later (1946), Newsweek], or a short commentary on how much I “heart” the Tate Modern, please see Chapters 1, 3, 97, and 106 or Volume II, chapters 16, 47, and 224.)”
Ah, sweet glove. Sweaty love!
Thursday
C'monend
Also, "Who cares about your stupid hedge fund, you dick?" ha!
Cowherd and Weaver Girl
(note: all [2] puns intended, copyright Dan Vorosmartypants 2008)
Yeah, and I'm not really that knowledgeable: ( http://en.wikipedia.org/wiki/Altair )
Also, from your silence on the issue and what you said that means, I take it you were not entertained by our exquisite recording of Pressure ("musty basement version")? Well then how about Zippyzoo, Mr. Ficklestraussen?
Condi, Condi you're so fine.
I commend them.
I agree that it did have a nice ring to it, though. She's got a swell name.
That link doesn't work and
That's what I always say.
I hate to disappoint you, as you're
http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2001/05/05/MN223743.DTL&type=printable
Put that in your pipe and smoke it.
Wednesday
Tuesday
Friday
Thursday
And the third shark,
the card type, with his green billed visor and mismatched soft hands and hard eyes, looks long into the two sharks who are talking loudly across the buffet. His eyes tell the story, but he decides that he might as well cram in some words also.
He says, "What are you two fish talking about?"
The first shark looks to the second shark, which shrugs and piles more tuna onto his plate. "Oh, lobster," he says, walking farther away.
The third shark won't quit.
He says, "Did you hear me fishy? I asked what you two fish were jabbering about."
The first shark doesn't say anything. He's having a difficult time seeing the third shark because his eyes are on the sides of his head. He swivels down and looks him in the eye. He says nothing.
"Did you hear me, you damn fish?" The third shark says, putting his plate on the buffet counter.
The first shark puts his plate down. Or, he tries to and drops it. It cracks on the tiled floor. Flippers are not meant to hold plates. He doesn’t take his eye away from the third shark. He leans in closer and relaxes his jaw. He says nothing.
"You better answer me, fish!" The third shark says.
The first shark narrows his eye and says, "Don't call me fish again."
"Oh, I'm so scared of--" the third shark says, as the second shark, who had calmly snuck around behind him, bits off his head. Blood sprays everywhere, including into the buffet. Someone sitting across the room makes a quiet joke about a feeding frenzy as the first and second sharks refill their plates and try to find someplace to sit.
Wednesday
Shark Reply
Shark Attack
and stop listening to the tragic valise in which your stupid demons dwell
with your unprecedented anger flitting & fighting something unheard.
Maybe if the delusional happiness of your poor world that's "done everything"
You could, at your rotten old age, experience the price of freedom....

